KCRF 2008 COSTUME GUIDELINES & APPROVAL PROCESS

Approval Process

As in previous years at the Kansas City Renaissance Festival, all street, court, scenario, and stage performers are responsible for their own costumes. In the tradition of years and Costume coordinators past, you will be REQUIRED to have your costume approved before any work begins on it. Of course, this is a theatrical production and the director will opt for a look sometimes rather than authenticity. Flexibility is the key to making this work. Remember that we are not re-creating history, but staging a historical romance. High standards from previous years have been set which will be maintained.

Below you will find the specific areas of interest in costuming. Your costume should be part of the fun of participating in the Festival. We want everyone to look good, appropriate for the time period and their class. . We want you to succeed and have a fun, comfortable and appropriate costume to enjoy.

· Existing Costumes

· New Costumes

· Costume Do's and Don'ts

· Colors and Combos that are off limits

· General Guidelines

· Sumptuary Law in Elizabethan England

· Costume Costs and Seamstresses

· Class and Gender Descriptions

Remember that the period this year is Tudor - 1533 to be exact

Existing Costumes: Any performer wanting to use costumes that have been worn in previous years must still go through approval WITHOUT EXCEPTION! You need to bring your costume for inspection. Specific changes, improvements, additions, and or repairs will be discussed with you. Any new pieces of changes in fabric to any part of your costume must go through the "new costume" approval process.

New Costumes: All performers wishing to make a new costume must have costume sketches and fabric swatches approved before starting on costume construction. The steps are as follows:

  • Pick up a costume sketch outline at auditions or enlightenment meeting. Read these guidelines and follow them in designing your costume
  • Submit a detailed drawing of the costumes, all pieces shown, including hats and cloaks. Keep a copy for yourself, and one for your seamstress. So in the end, having three copies is ideal, one for us, one for yourself and one for your seamstress.
  • Include swatches of all fabrics and trims you want to use
  • Get approval of the costume from the costume guild, making notes of any changes requested by the guidance counselor, then find a seamstress right away
  • Resubmit changes and get them approved. ASAP !
  • Buy your materials, contact your seamstress, get started
  • Have the costume completed by the deadline and be prepared to wear it, with as many of your accessories as you can, for approval/critique by a costume guild member
  • DO NOT BUY FABRIC BEFORE YOUR SWATCH HAS BEEN APPROVED. Please don’t make the mistake of thinking, "if I buy my fabric, go ahead and make my costume, they’ll have to approve it" because this is NOT the case. Unapproved costumes or changes made to approved designs without approval will not be allowed.

    We will NOT hesitate to tell you to start over if you do this!!

    Most stores are willing to hold fabric for you for a few hours to a day or two if you but ask !

    Costume Do’s and Don’ts

    Do:

  • DO research!! To encourage fresh ideas, we will gladly consider costume ideas brought as the result of historical research. You must do the research, be prepared to defend your idea with proper, established resources, and make sure it is appropriate for the theatricality of your character.
  • DO Submit designs and swatches for approval as soon as possible so you can reserve your color/fabric choice – the competition for colors gets fierce!
  • DO Accessorize to suit your character’s class and occupation, i.e. mug, pouches, bowl, spoon, knife, basket, tools of your trade. We will be approving accessories as well as costume pieces. Prepare for cold weather by layering and having cloak/shawl and gloves.
  • DO Include a hat/headpiece in your costume design. Remember this was a time in history when men and women did not appear in public without some sort of head covering. If you have an unusual haircut or color, be prepared to cover it completely with a hat or dye it back to a natural color.
  • DO Make your costume appear authentic with proper finishing details, i.e. lacings, ties, buttons, or drawstrings. To make your life easier, we strongly recommend that you have 2 chemises/shirts and 2 pair of tights/hosen so you do not have to do laundry in the evening or risk offending all those around you.
  • Do Not appear with any of these items during the fair day:

  • DO NOT use pieces from later periods of history unless specifically directed by the staff to suit the character you are portraying
  • DO NOT wear vintage 60’s prom dresses or anything Victorian-looking
  • DO NOT wear shirts with wide falling-band collars
  • DO NOT wear cavalier hats
  • DO NOT wear multi-layered/ruffled gauze skirts, skirts shorter than mid-calf (except gypsies)
  • DO NOT wear scarves or accessories with metallic or glittery threads (except gypsies)
  • DO NOT appear with bare midriffs (except belly dancers, if approved)
  • DO NOT wear chemises in very bright colors or with sleeves shorter than ¾ length
  • DO NOT wear waist cinchers, Victorian corsets, under-the-breast bodices
  • DO NOT wear tie-dyed anything, printed or calico fabrics
  • DO NOT use velcro, zippers, or elastic for anything!
  • DO NOT ruin your lovely costume with anachronisms like tennis shoes, sweats, sunglasses, nail polish, wristwatches, modern hairstyles, cigarettes and paper cups. (Especially paper cups, just don’t do it, its not a pretty sight when Jim catches you!!)
  • There are some colors and fabrics reserved for use by the Royal Court and Scenario characters and must be avoided by all other performers.

    Colors and Combos that are Off-limits:

  • Royal Blue & Maroon/Wine – reserved for Royal Family only
  • Royal Purple – reserved for Royal Family and Nobility
  • Black in large amounts – reserved for specific characters
  • Baby Pink and other Pastels – reserved for Fops, pastels are not period
  • Don’t be afraid to use vivid colors!! (just get them approved)

    General Guidelines

    Your costume will visually define the character you are portraying. Consider this in every decision you make for your costume. Consider the comfort, practicality and functionality of all your costume pieces in making your decisions.

    Fabrics: Avoid polyester, acetate and all synthetic fabrics. In 1533 the only fabrics available were woven from wool, linen, and silk. They did not have cotton from the Americas yet. We are more flexible. Wear natural fibers – cotton, linen, wool, silk, rayon and ramie which breathe and are much more comfortable to wear with the varied weather conditions we are so famous for during fair. This means you can use, but are not limited to, cotton broadcloth, cotton gauze, gabardine or twill, corduroy, velvet, velveteen, silk, satin and brocade with appropriate woven designs. We wish to have more consider wool, it is a lovely fabric, is much cooler and warmer than any other fabrics. It also wears extremely well. Yes there are light weight wools, the problem will be getting brighter colors. Satin as we know it will almost never be approved. You may not use stamped or printed cottons, chintz prints, modern patterns or colors. Pre-wash and dry all washable fabrics so any surprises will occur before the costume is constructed.

    We discourage using costume ideas from movies or TV shows, as they are rarely accurate. Also avoid commercial "period" patterns (Simplicity, McCalls, Butterick). Some can be altered to suit our period, but mainly they are not appropriate and will not be approved. They also make many parts more difficult to sew, more seams, etc. Ask for details if you would like further info about commercial patterns

    Colors: You may use any color that could be obtained by dyes which would have been available from natural sources of the time, primarily earth tones – yellow, orange, browns, greens, blues. Colors would be vivid, but not florescent or "modern" bright. Black would be worn only if your character has money enough to buy it and then maintain it. There are resource pages with appropriate colors for each class.

    Lace: The basic rule is NO LACE. Only if your character is noble or royal may you use lace, and even then, be very careful. Any lace used should look hand-made. Do not use machine-made, modern lace, NO EYELET LACE or lace fabric, period.

    Hats: EVERYONE must wear a head covering of some kind: all classes, male and female. This was a rigid social rule of the period; someone appearing without a hat would scandalize everyone. Appropriate hats for both men and women are covered in each section below. Garlands or wreathes are appropriate only for young, unmarried women, as is unbound, flowing hair.

    Bloomers/Tights/Socks: All women must wear bloomers or tights covering their legs to at least below the knee. It is strongly advised that women wear bloomers made of linen – it is much cooler than any other fabric. Tights, hose or knee-high should be solid colored (no flesh-colored tights) and preferable cotton/lycra blend. Men should also have their legs covered for middle class and above or unless bare legs are appropriate for your character. Be prepared to layer for warmth – wool socks will be your best friends in cold weather.

    Shoes: Try to get as period a look as possible, but keep comfort in mind as your will be putting a lot of mileage on them in all sorts of weather. They should be brown or black leather, usually buckling or tying over the instep. Try to avoid the thin cotton "china slippers" as they do not protect or support you foot well. No Doc Martins; try to avoid modern-looking bottoms, heavily-treaded soles or modern-looking Birkenstocks. Plain, low-heeled boots are appropriate for men or woman. Suede boots are ok, but moccasin boots with fringe must either be tucked in or cut off. A list of online sources will appear at the end of the guidelines. Never (I repeat NEVER) plan on going barefoot out at fair. This is for obvious safety reasons – if you need to hear them, ask any veteran performer.

    Outerwear: Everyone must have some sort of cloak, cape, shawl or wrap; we stay open in all sorts of weather. Avoid black, as black was a very expensive color to achieve and maintain at that time, and only the very wealthy could afford it. Artistically, the whole cast looks as though it is going to a funeral if they are all in black. There are lots of other colors available. Do not show up for approval in a Polyester Fleece Cloak!!! We will not approve it!!! There are plenty of other choices, such as wool, heavy cotton, and wool/acrylic blends work fairly well. Capes may be lined or not,. Nobility and wealthy middle class characters should have trim around the edges of the cape. Closures can be hook and eye, frogs, ties or large buttons (made of metal, horn, bone or leather). Be prepared for cold weather with garments to layer (silk long johns) in order to stay warm and get a couple of pair of plain knitted gloves. Do not wear sweats: they are more apparent than you may think.

    Jewelry: Men and women of noble or royal class and some wealthy merchants wore pearls and precious stones, often with 2-3 rings per finger, earrings and necklaces. Nobles wore several gold chains at a time. Cabochon (unfaceted) stones are most appropriate, but some faceted stones will be allowed for royal court. Fancy items or jewelry wouldn’t have been worn by peasants or lower middle class; any that they obtained would not have been worn and would have been sold immediately. Remember that taxes would have been charged on any jewelry worn, so in other words, use common sense, and yes, this means you.

    Sumptuary Laws In Tudor England

    Sumptuary Laws: Essentially a mandatory dress code for all classes, these laws were a means to control what each class of society could wear according to an individual’s social standing and wealth. It was easy to tell anyone’s standing at a glance by the cut, color, quality, trim and detail of their garments and accessories. Specifics (as applies to us) are as follows:

  • No one is allowed to out-dress the King and Queen,. Apart from wealth/social issues, it’s just not smart politics to tick-off the persons upon whom your welfare depends.
  • Only the nobility can wear purple and ermine fur, and this year Royal Blue and Maroon are reserved for the Royal family.
  • Mainly royalty and nobility can wear silver or gold trims, and most furs. The exception to this statement is the King’s Rangers and the Robin Hood cast are able to use fur for their costumes. Tails are not allowed, average citizens would not have had access to them in the time we are portraying.
  • To wear velvet or martin fur, a character must be at least wealthy merchant (upper middle class)
  • Fop Court hold the keys to any pastels worn at fair. (This one is easy, pastels were not entirely correct so if anyone other than the Fop Court wears them, they will not be approved.)
  • Middle class, if wealthy enough to pay the tax, could have decorative trims and some embroidered trims. Lower middle class and peasants would have ribbons and some (non-metallic) trim on their clothing, but it must be hand made.
  • True black or bright jewel-tone dyes were taxed. Black items had to be re-dyed regularly, so only the very wealthy could afford them. Theatrically, too many black costumes are dull to look at, so make other color choices. No completely black costumes will be allowed unless specifically mandated by the office.
  • Costume Costs/Seamstresses: Be prepared for the cost of festival costumes, they are not cheap and cannot be bought ready-made. The cost will vary according to class, social standing and personal preference, but can range from $150 for lower classes and more than $1000 for nobility.

    Be prepared to pay for your own fabric and supplies up front, and be available for fittings as your seamstress specifies. Expect your seamstress to charge you for missed appointments, its just fair. Seamstresses charge by the hour and should be able to give an accurate estimate before starting. Be prepared to pay in full for your costume before you will be allowed to take it home.

    A few rules regarding Seamstresses this year:

  • All Seamstresses/Seamsters must provide an estimate, preferably in writing, to their clients. NO LAST MINUTE SURPRISES. Any qualified sewer should have no problem with this. This is NOT negotiable.
  • Make sure your seamstress is qualified, experienced and reasonable. Ask to see samples of the work – this is not an insult, but rather tells the seamstress that you are interested in good quality work. Communicate in advance about expectations, deadlines, costs, style of construction, and any other details you want to consider.
  • Custom-made garments should be well cared for in order to last the whole season and beyond. If your costume is washable, you have it easy. If your costume is dry-clean only (most upper class and all court costumes) try to find a reputable dry-cleaner or try using Dryell at-home dry-cleaning product. It is available in the laundry aisle of your grocery; we use it and like it very much. Remember that you are reliving the same day every day of festival. You need to look as fresh on the closing day as you did on the opening weekend. Do not allow your costume to lay in your trunk or back seat till Friday night, it just makes the cleaning that much harder. Do not show up in a dirty costume in the morning, we are at morning meeting and apprentice meeting every day of festival and will see you!! This is not a negotiable Item!! If you show up on a Saturday morning with the dirt and smell of last weekends fair on your person you will be sent home to clean your costume!!

    There are several fabric stores in the area that are Renfest friendly. Home Décor and Rugs (/) at 119th and Metcalf has a large selection of fabrics, has an area of reduced price items and has given a 10% discount in the past. Kaplan’s on the Plaza is another high-end quality fabric store, but they do not hire knowledgeable costume/sewing consultants so you need to be very careful in your choices there. Then there are the usual chain stores – Hancock’s and JoAnne’s, Hobby Lobby. In looking around so far, pre-made curtain panels, at JC Penney, are made of some interesting and approvable fabrics. Costumes are an investment; remember that with fabric, you get what you pay for, so choose sturdy, good quality fabric that will wear well for the entire season and beyond.

     Early Tudor Costume

    Men
    Men's clothing gave them a square shape. they wore short doublets over their hose and the shoulders of their coat were cut wide. It was fashionable for their sleeves to be slashed and their flat hats were often decorated with feathers.

    Women
    Women's clothing gave them a triangular shape. Their corsets were tight fitting while their kirtles and gowns were very full. Their head-dress consisted of a coif that fitted closely round the face, to which was attached the cornet - a long piece of black material that often hung down the back.

     

    CLASS & GENDER DESCRIPTIONS

    NOBILITY & ROYALTY – Men

    The king was the peacock and fashion setter. He had titles, money, and property and displayed them, quite literally, on his body. Although he wields all the political power in England, he needs help getting dressed; without his personal servant, he is helpless. During this period Englishmen felt they were the best in the world and therefore his clothing was showy and ornate. His position at court depended largely upon how he looked and dressed. Masculine fashion was set by His Majesty and was very elaborate. Courtiers vied with each other to be seen in the most flashy, dashing, expensive and fashionable outfits.

    Fabrics were glorious! Cost was no object and skilled weavers could seemingly work miracles. Don’t think that what they had available to them was basic or primitive in any way. The quality and variety of fabrics far outshone anything we have today. Velvet could have as many as five separate heights in the weave and some had a three-dimensional appearance. Weavers could produce cloth with their simple looms that modern computer-run looms cannot duplicate. Silks, satins, damask brocades, velvets and velveteens were in great demand, along with the usual linens, wools and some fine cottons from India and Egypt.

    The pieces every noble would wear include shirt, hosen (tights), doublet, jerkin, a hat, shoes, and a great coat.

    The King should suitably be covered in jewels and embellished, other nobles should be much less so. Most will wear a Chain of Office.


    His Majesty Henry VIII

    Shirts: The shirt should be of fine white linen or cotton with standing collar and cuffs. It might also be stitched with black-work embroidery and gold thread accents and tied at the neck with ribbon. The body and sleeves are full – you may need about 4 yards of fabric for a shirt. It is strongly recommended to have 2 shirts and 2 pair of tights.
  • Hosen/Tights: All noble and upper class gentlemen would be wearing hose. In the period, hosen were hand-knitted of the finest silk and cost upwards of five pounds a pair (about $250 today!) There are several merchants we can recommend from whom you can get tights, but cotton/lycra is strongly recommended.
  • Doublet: Over the shirt is the doublet that is simply a vest with sleeves made of fine fabric. It has a close, fitted, neckline with a standing collar and ruff. The sleeves are very ornate. All edges should be trimmed.
  • Canions: while not an absolute necessity, canions go a long way to dictate the look of the period. They are simply short, knee – length, fitted pants that match the doublet.
  • Jerkin: The next layer is the sleeveless jerkin, fastened at the waist to create a v-shaped front, slenderizing the waistline. This is usually of contrasting fabric and is trimmed and decorated, but not totally necessary. Jerkins will have a "skirt" usually to the knees.
  • Hats/Hair: Hair should be neatly trimmed and fairly short for court impressions; whiskers neatly and closely trimmed. Older men can have more full beards; and vain men would curl and pomade their hair and whiskers. Hats, worn at all times except when bowing to the King or Queen, would be flat hats made from matching or coordinating fabric to your costume, or high hats made to match or coordinate with your costume or your cloak. The brim should be stiffened with buckram and decorated with piping, trim, and feathers.
  • Great Coat: great coats are generally to the knee or just below, can be longer, large, short, puffed sleeves or hanging with a yoke across the shoulders and the front openings turned back to reveal a second lavish fabric or fur.
  • Accessories: The well-turned gentleman has a pouch and dagger hanging from his belt and perhaps an embroidered handkerchief and gloves. You can wear multiple rings, earrings and a gold or silver necklace or chain of office as appropriate.
  • NOBILITY & ROYALTY – Women

    Although the men were the peacocks of this period, there is no argument strong enough to convince me that a noblewoman who could afford it would allow herself to be out-dressed by the men around her! For the first time in costuming history, women molded the body into the shape they considered beautiful and fashionable, most notably by corseting the bodice to push up the breasts, and by the use of the cone shaped hoop skirt (farthingale). And of course, for the ladies, Her Majesty sets all trends and is garbed the most beautifully.

    The noble lady is a person of rank and distinction and dresses as well as her father or husband can afford. She often administers the vast estates when her lord is gone, or in her own right. She is well educated and respected; she often speaks multiple languages fluently, and is a power with which to be reckoned, as she is clever, witty and politically aware in addition to being beautifully dressed.

    Generally, articles of clothing include: chemise, corset, hose/socks, bloomers, hoop, bumroll, petticoat, 1 or 2 skirts, bodice, ruff, shoes, and a cloak for bad weather.

  • Bodice: necks are square, or high necked, the waistline is square. The back has a small or short "v" neckline. No front stomacher. The bodice is of the main fabric with trim and jewels across the uppermost edge and occasionally trim down the center . Undergarments: The chemise is made of the finest white linen or cotton with a drawstring neck or square yoke and can be decorated with embroidered black-work and pearls. The corset goes over the chemise, however, you may choose to build your corset into your bodice if you wish. Use steel boning as it is the most durable, cost effective, and in the long run, most comfortable. Bloomers should be white linen or cotton, and should fall below the knee, with solid color tights or knee-high hose. Hoop skirts should have at least 3 rungs of hoop wire to be sturdy enough to support your skirts without buckling. They can be purchased or made, and I will gladly provide a drafted copy of Alcega’s farthingale pattern of 1589 if you are so inclined. Make sure the body of them is cotton or linen so it will breathe, and you can remove the hope wires to launder it when needed. There are commercial patterns available which work fine. The bottom rung should be 2-3" above the hem of your skirt, with a fabric ruffle below that to help support the hem of your skirts without showing any hoop rungs. The circumference of the hoop should not measure more than 100". A bumroll can be worn over or under the Farthingale as you prefer. A petticoat should go on over the hoop so your hoop rungs do not show through the skirt fabric – this is immensely tacky and completely ruins the lines of your beautiful costume.
  • Bodice/Sleeves: The bodice is of one solid fabric, lined with cotton canvas, and laces up the back or the sides. The sleeves can lace or tie in, and really offer the best options for individuality in the silhouette. The undersleeve is often of the same fabric as the underskirt and is usually close fitting from shoulders to the elbow then flairs out with slashes along the lower edge with the chemise puffed through. The oversleeves are full and very wide at the bottom and turned back and tied to reveal an inner fabric that is complimentary to the rest of the dress or is fur. Only very high nobles would have had fur. sometimes puffed and stiffened. Sleeves can be two piece resembling a man’s coat sleeve or paned and slashed sleeve designs. These could be decorated with trim and beading. Often the Sleeves, and underskirt would be matching pieces given as gifts. They could then be interchanged with different bodices and skirts to achieve different looks.
  • Hats/Hair: Single ladies could wear their hair unbound, but married ladies kept their hair covered even at home. The hair is braided or tucked inside a linen caul. Or coif. The French hood, introduced by our own soon-to-be Queen Anne is a stiff crescent (a purchased sun visor can be used), covered in fabric that matches or coordinates with the dress and is decorated elaborately. It is worn tilted slightly back from the forehead and covers the ears with a veil covering the hair. A gable hood would still have been in fashion though going out of style. A decorated flat cap with a feather would be appropriate, as would a smaller version of the high hat.
  • Accessories: All ladies would have jewelry, pouch and handkerchief, embroidered and trimmed (but not with modern lace!) as well as a goblet, fan (no folding fans) made of feathers with a hand mirror attached on the underside, and possibly, a shopping basket. A half-cape is a good solution to keeping warm and still displaying most of your costume.
  •  


    Jane Seymour


    Anne Boleyn


    Catherine Parr

    UPPER MIDDLE CLASS – Men

    The upper-middle class man would often be gentry or petty nobility with his own house and lands. He might also be a servant in a nobleman’s household, a rich merchant or highly successful craftsman. He has servants to see to his clothing and personal appearance, so the upper middle class man dresses as well as he can afford, including paying the sumptuary tax on some item so that he can be even more richly dresses.

    The shirts are made of fine linen or cotton with trim or some black-work embroidery on the standing collar and cuffs. The doublet and jerkin are the same cut as nobility, but with slightly less rich fabric (non-metallic, one-color brocades and some velvet, corduroy, fine wool or linen) and more simple trim with less ornate decoration. Men of this class would either be clean-shaven or sport a well-trimmed beard and moustache. Accessories include pouch and dagger hung from the belt, and some jewelry.

     

    UPPER MIDDLE CLASS – Women

    Ladies of this class are wives or daughters of knights, country squires, or wealthy merchants or artisans, with their own servants. They might also be high-ranking servants in a noble household with a lot of authority of their own. Wives and daughters are completely under the control of their male relatives, having few rights, but widows in this time begin to have much more freedom, being allowed in some cases to continue their dead husband’s business and administer the property in their own right. Like their male counterparts, they dress as well as they can afford.

    A married lady or conservative spinster wears her chemise closed down the front and a single lady open, but in very cold weather everybody would wear it closed. The other option to wear in addition to a chemise is a partlet, which is below-bust length, open down the front, gathered into a neckband or drawstring and is just long enough to tuck into the bodice front and tie under the arms.

    Over the chemise, she wears a corset, bumroll, hoop skirt and petticoat just like the noble ladies but in a less exaggerated style. Again, the corset may be built into the bodice for one less layer. The bodice, skirts, hat and accessories are as similar to the court ladies as she can afford. She still wears the household keys at her waist. She may wear rings, brooches and earrings.

     

    LOWER MIDDLE CLASS – Men

    A working class man wears a white or ivory shirt with a drawstring neck or one that is gathered into a front yoke. It should be made of linen or cotton. The sleeves are full with either a drawstring or a cuff at the wrist.

    The doublet is the same basic shape as upper middle class or nobility. It is made of plain and serviceable wool, linen, or denim-weight cotton (not denim, denim weight), and can button down the front. The below-knee length trousers or breeches have a drawstring waist or buttoned waistband and a drawstring or band at the knee. Recommended fabrics are corduroy, brushed cotton, linen and worsted wool and might be the same fabric as the trousers. You will need a plain leather belt with pouch, knife, mug and the tools of your character’s trade.

    Fabrics are still highly textured and of as good a quality as your character can afford. Colors are still fairly bright for this social class. Blue dye (medium Wedgwood color) was so cheap and plentiful that is almost implied for servants and apprentices to trades, so anyone with any social pretensions will want to avoid that color. Trims are simple bands of ribbon or contrasting fabric. Jewelry, if any, would be very simple in design, made of glass or semi-precious stones in settings of brass or pewter. Buttons would be the most common form of ornamentation. Non-functional jewelry is for the upper classes.

    Baker.JPG (34597 bytes)

    MiddleClassMale.jpg (137837 bytes) 
    Brewmaster

    LowerMiddleClassMale.JPG (45247 bytes)

    LowerMiddleClassMale2.JPG (89686 bytes)

    LOWER MIDDLE CLASS – Women

    These women own more than one chemise and while the fabric is plainer than upper middle class ladies, it is of finer quality than peasants can afford. You will need bloomers made of linen or cotton, and a small bumroll which helps support the skirts and keep them from wrapping around your ankles as you walk. This replaces the hoop for women who need the flexibility of moving around inside a shop or in the fields. Tights and simple leather shoes complete the basic underpinnings.

    The bodice is tightly fitted, boned to have the effect of a corset, and decorated with ribbon, piping or simple trim. It may match the skirts or be made of a slightly more fancy contrasting fabric. Sleeves should be made with the same fabric as the bodice or something contrasting and complimentary. They should tie at the armhole and can be worn hanging on most days.

    The skirts can be pleated, gathered or gored with one of them decorated with ribbon and simple embroidery or made of a richer material than the other. The richer or newer skirt is worn over the underskirt, and tucked up out of the dirt of the streets. A bumroll was worn without any hoops as this was the best way to achieve the fashionable silhouette.

    The hat can be a coif and flat cap with a feather or simple decoration, a bag hat or straw hat with a bit of decoration. Hair is neatly combed and tucked up out of the way. The hat and pouch might be embroidered as well as perhaps matching the fabric of the rest of the garments, if your character would have the leisure time for that sort of thing. You might carry a chatelaine (keys for the various chests and cupboards in the house, other implements of your work) on a plain leather belt, as well as your cup, small knife and plain handkerchief. A non-black cape or shawl and simple knit gloves will keep you warm when it gets cold.


    BakersWife.JPG (32203 bytes)

    Baker's Wife

    LowerMiddleClassLady2.JPG (86332 bytes)

    Another Baker'sWife

    LOWER/PEASANT CLASS – Men

    Peasant men wear shirts similar to middle class, but less full of sleeve, less fitted and made of a rougher fabric. Breeches are less fitted, and if worn full-length, they are cross-tied from knee to ankle. If knee-length they can have a drawstring or band at the knee. Working men would have aprons to protect their clothing. The hat can be a bag hat, straw hat with coif. Everyone but the poorest has cloth stockings and shoes (for our purposes everybody has shoes, even the beggars, because there are metal staples in that-there hay on the ground!) For warmth peasants might drape their blanket around their shoulders. A plain leather belt holds up the pants and also carries any accessories you will use such as pouch, knife wooden bowl, and any items needed for your job or craft.

    Fabrics were coarsely woven, usually at home of wool, linen and cotton. The wool trade is booming in England at this time and so anyone who could afford to, keeps sheep. Since they can’t afford to buy fabric, they weave and make everything they wear. Leather would be available from hunting for making belts and shoes. Colors for dyeing were from plentiful natural sources. Blue was most common from indigo and woad, yellow from saffron or onion skin, red from madder root or cochineal. Orange from safflower, brown from weld, rust from soaking rusting iron in water, and green from dying yellow over blue.

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    The Dung Dealer

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    Peasant

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    Villager of Canterbury

    LOWER/PEASANT – Women

    A peasant woman wears a long-sleeved chemise or shift under everything and at least two skirts over that, with the upper skirt, usually newer than the underskirt, tucked up out of the dirt.

    Women wear two skirts for several reasons. First we’ve already established that layering provides heat, and two skirts are a more efficient insulator than one, and the second one functions as a petticoat for the first. And then, of course, if one got dirty or stained, they can be switched around. You should have an apron over the skirts to keep skirts clean while doing work, or to show your occupation. The skirts may be gathered, pleated or gored from the wristband. Plain wool, linen and brushed cotton twill are good, sturdy fabrics for these pieces. The bodice is tightly fitted and boned, with a scoop or square neck, which laces down the front. Detachable sleeves that tie into the armhole, will be on the bodice at all times, and can then be worn for cooler days.. Bodices can be trimmed or decorated with simple ribbons of matching and contrasting colors to your bodice and skirts. How well these pieces fit and look depends on your characterization.

    Any woman over the age of thirteen has her hair covered by some sort of headgear, such as a wide-brimmed straw hat, muffin cap, bag hat, or coif, with hair braided or tied back out of the way. She wears cloth hosen and simple leather shoes.

    You will need a plain leather belt to carry your pouch, small eating knife and bowl. You might have a basket to carry things gathered in the fields or bought at market. Make the necessary preparations for cold weather; cloak or shawl and gloves.

    LowerClassFEmale.jpg (135983 bytes)
    Dung Dealer's Wife

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    A lass who likes to dance

    LowerClassWoman.jpg (85357 bytes)
    The Milkmaid

    Peasant.jpg (64318 bytes)
    Canterbury Lass

    We all want this to be a successful year, so lets try to work together toward a common goal.

    Questions?  Email Jim at – maestro@kcrenfest.com

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